Five-Duct Czech Baroque 2008 Proof

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Five-Duct Czech Republic 2008 Baroque

The gold commemorative medal - Five-Ducat of the Czech Republic, dedicated to Baroque, was issued by the Czech Mint in 2008 in the series Ducat Series of the Czech Republic - Artistic Styles. The medal is struck at 1/2 ounce (15.56 g) in 999.9 purity of the purest gold in top proof quality. These gold medals are rarely seen and are therefore highly sought after by collectors and investors. The medal comes in a red plastic box along with a certificate of authenticity in a limited edition of only 200 pieces!

Baroque

Baroque or Baroque (probably from the port. pérola barroca - an irregularly shaped pearl) is an artistic and cultural movement that reigned in Europe between 1600 and 1750. It originated in Italy and spread throughout Europe and its colonies. The word Baroque is also used to refer to this period.

The basic features of Baroque art are already genetically embedded in Renaissance art, as Baroque is an extension and refinement of Renaissance artistic tendencies. In a sense, however, Baroque is also a denial of the Renaissance, because it contains a component based essentially on medieval Christian thought. This component was especially pronounced after the Council of Trent. What led to it was that the Renaissance, both in art and philosophy, very quickly began to exhaust itself in a certain way after reaching an imaginary peak around 1520, which led to the emergence of so-called Mannerism.

It revelled in the grotesque, playfulness, optical illusions, etc. The emergence of the Baroque overcame this situation, because a clear and comprehensible programme of thought was formulated (among other things, by the Council of Trent), which is essentially the revival of Christianity. This is why the so-called Counter-Reformation is often referred to in this context as the "Catholic Reformation". The clear definition and formulation of the goals was then reflected in the creation of a solid and relatively consistent artistic language, which we generally call Baroque. The most prominent representative of the artistic transition from Renaissance art to Mannerism and Baroque is Michelangelo Buonarroti.

Early Baroque architecture is represented by Giacomo della Porta, Vignola and Carlo Maderno. The most important Baroque architects are a trio of Italians: the architect (also a painter and sculptor) Gian Lorenzo Bernini, Francesco Borromini and Guarino Guarini. These top Italian architects were followed by many other important Italian and Transalpine architects. First of all Pietro da Cortona, Filippo Juvara, Johann Bernhard Fischer von Erlach, Lucas von Hildebrandt, Balthasar Neumann, and also the extended Dientzenhofer family, two members of which, father Christopher and son Kilian Ignatius, worked mainly in the Czech lands. Another important architect working in the Czech lands is Jan Blažej Santini. The trio of architects active in Bohemia can then be supplemented by Giovanni Battista Alliprandi, who was undoubtedly a more capable architect than the until recently unjustly emphasised František Maxmilián Kaňka.

The most important Baroque painters are, above all, the following gentlemen: Caravaggio, Diego Velázquez, Peter Paul Rubens, Rembrandt van Rijn, Giovanni Battista Tiepolo, Pietro Da Cortona, Andrea Pozzo. Among the artists working in the Czech lands, we can mention especially Karel Škréta for the early Baroque, Petr Brandl and Václav Vavřinec Reiner for the High to Late Baroque (Reiner).

Almost synonymous with Baroque sculpture is the aforementioned Gian Lorenzo Bernini. This Italian practically determined the form of Baroque sculpture with his stylistic significance. He is followed to some extent by almost all other Baroque sculptors, including our most important sculptor Matthias Bernard Braun. The second most important Bohemian sculptor is Ferdinand Maxmilián Brokoff, who, however, represents a more classically understood sculpture and is thus to some extent Braun's sculptural opposite.

The most important composer of Baroque music is considered to be Johann Sebastian Bach, whose death (1750) coincides with the date sometimes considered to be the end of the Baroque era. To him may be added, for example, the 'sunny Italian' Antonio Vivaldi, the creator of many Baroque oratorios, George Frideric Handel, or Claudio Monteverdi. Among Czech composers, it is certainly worth mentioning Adam Michna from Otradovice, Bohuslav Matěj Černohorský and, above all, the most important of them all: Jan Dismas Zelenka.